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Renowned London-based artist and writer Edmund de Waal will make his first architectural intervention in the U.S. with an exhibition at the MAK Center. Titled one way or other, de Waal’s exhibition will include new and recent sculptures responding directly to the materials and integrated spaces of the iconic house. The multisensory exhibition is inspired by the artist’s ideas around migration—what it is to leave one place and adopt another—just as the Viennese émigré architect R.M. Schindler did when moving to Los Angeles to create a new home here in the 1920s.
The intervention develops de Waal’s long-standing interest in exile, as reflected in the last decade of his practice and especially his book The Hare with Amber Eyes (2010). It includes a sound piece conceived with the avant-garde composer Simon Fisher Turner: “a layered memory soundscape of Vienna through its Raumplan.” A special recording of radical modernist Austrian composer Anton Webern’s Drei Kleine Stucke (Three Little Pieces), Op.11 by English cellist Matthew Barley, along with Barley’s own Cello Improvisation, has also been commissioned for the exhibition.