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Do Ho Suh’s immersive architectural installations—unexpectedly crafted with ethereal fabric—are spaces that are at once deeply familiar and profoundly alien. Suh is internationally renowned for his “fabric architecture” sculptures that explore the global nature of contemporary identity as well as memory, migration, and our ideas of home.
Do Ho Suh: Almost Home is the first major exhibition of the artist’s work on the East Coast. It will feature large-scale installations of the artist’s brightly hued “Hub” sculptures—intricately detailed, hand-sewn fabric recreations of homes where Suh has lived from around the world—along with several drawings and a series of semi-transparent replicas of household objects called “Specimens.” The Hubs comprise a series of conjoined rooms and passageways that visitors can enter and experience from the inside, including a new work depicting the artist’s childhood home in Seoul that will debut in the exhibition.
Suh was born in Korea and moved to the United States at the age of 29 in 1991, and he currently lives between New York, London, and Seoul. He crafts his works using traditional Korean sewing techniques combined with 3-D modeling and mapping technologies. Suh sees these works as “suitcase homes,” so lightweight and portable they can be installed almost anywhere. His works transform the familiarity of a domestic space into a liminal one, where ‘home’ is both an idealized concept and physical reality. Through these spaces, Suh examines how home and identity are ever-evolving concepts in today’s global society, and how culture, tradition, migration, and displacement intersect as we construct our ideas of selfhood and origin.
The exhibition is organized by Sarah Newman, the James Dicke Curator of Contemporary Art. It is the latest in a series of projects at the museum that situates the art of the United States in a global context.