317
People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
Current Issue

Fall 2026

People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
#317
Fall 2026

Our Fall 2026 edition features new cultural and civic landmarks in Belgium, Toronto and Los Angeles. Plus, we explore the greening of Paris and the social ethos behind the game-changing residential work of Winnipeg firm 5468796.

A perpetual experimenter, Patricia Urquiola regularly pushes the limits of expectation, developing objects and spaces that are at once poetic and practical. Constantly finding ways to merge tradition with technology, the Spanish designer is renowned for her unique approach that uncovers “connections between the familiar and the unexplored.” One recent – and, of course, stunning – example is her Plumón table for outdoor furniture brand Kettal.

Plumón Table by Patricia Urquiola

The Plumón table is comprised of a simple two-ply glass surface with rounded edges that is held aloft by perfectly imperfect base pieces that appear to have been hand-thrown on a potter’s wheel. But looks, as they say, can be deceiving. In actuality, the sculptural stoneware plinths are 3D-printed using innovative production and engineering techniques developed by LaMáquina by Noumena. 

Plumón Table by Patricia Urquiola
Plumón Table by Patricia Urquiola

Wanting to explore the immeasurable possibilities of 3D printing – specifically how the method can create shapes, textures and sizes unfathomable with traditional hands-on craftwork – Urquiola partnered with the team at LaMáquina by Noumena to take her idea from conceptual design to finished product.

Based in Barcelona, the manufacturing studio works at the intersection of the analogue and the digital, evolving craft through highly advanced fabrication. For the Plumón table, the collaboration worked through a “computational and creative workflow” to establish and fine-tune the manufacturing process, which took place at the Barcelona factory using LaMáquina’s Pure.Tech polymer (which absorbs CO2 and neutralizes greenhouse gases, making the tables sustainable as well as show-stopping) before being fired at a low temperature.

Plumón Table by Patricia Urquiola

An added appeal 3D printing held for the Milan-based Urquiola is that no fixed mould is required. This means that, with only the slightest manipulation to the computational formula, each and every piece can be unique. While every version is indeed its own, they do share obvious “similitudes” – namely a layered texture comprised of varying (and, at times, overlapping) ribs, grooves and hollows that create an overall compelling and dynamic object. 

Plumón Table by Patricia Urquiola

Available as a coffee or side table, Plumón is a companion piece to a sofa that shares its name, one that also exemplifies the designer’s characteristic individualism and is based on the concept of “dressing and undressing furniture.”  

Patricia Urquiola Takes a High-Tech Approach to Traditional Craft

Using 3D printing, the Spanish designer delivers the one-of-a-kind Plumón stoneware table series for Kettal.

leaderboard-3