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People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
Current Issue

Fall 2026

People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
#317
Fall 2026

Our Fall 2026 edition features new cultural and civic landmarks in Belgium, Toronto and Los Angeles. Plus, we explore the greening of Paris and the social ethos behind the game-changing residential work of Winnipeg firm 5468796.

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Architect and academic David Fortin explores how the limitations of design can be productively reframed to open up possibilities – especially as they pertain to current housing challenges impacting both Indigenous and non-Indigenous Canadians. His talk will feature the Architects Against Housing Alienation project Not For Sale, currently on view in the Canada Pavilion at the Venice Architecture Biennale.

A professor at the University of Waterloo School of Architecture and the first Indigenous person to direct a school of architecture in Canada, Fortin investigates the instrumentality of the design process in influencing how we see our futures, with a particular focus on Indigenous voices and agency. A member of the Métis Nation of Ontario and of the RAIC Indigenous Task Force that seeks ways to foster and promote Indigenous design in Canada, he also leads a small design firm working closely with communities to realize their visions. In addition to this year’s Venice Biennale project, he was co-curator, with Gerald McMaster, of UNCEDED: Voices of the Land, Canada’s entry to the Venice Biennale in 2018.

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