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People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
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Fall 2026

People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
#317
Fall 2026

Our Fall 2026 edition features new cultural and civic landmarks in Belgium, Toronto and Los Angeles. Plus, we explore the greening of Paris and the social ethos behind the game-changing residential work of Winnipeg firm 5468796.

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Using his own visual alphabet developed over creative decades, New Orleans-based artist Clifton Webb’s work is imbued with reverence and dignity. Though his visual framework may not be immediately familiar, they are unmistakably noble. Webb’s work proclaims:

“This is me and all the people around me who don’t get to see themselves; who don’t get to see the royalty and sacredness of who the African American is.”

A co-founder of the New Orleans Contemporary Arts Center, Webb’s work is included in the permanent collections of the Ogden and the New Orleans Museum of Art and Dooky Chase Restaurant. Other exhibitions include Stella Jones Gallery, Ohr-O’Keefe Museum, Dallas African American Museum, New Orleans Jazz and Heritage Fest, Chattanooga Museum of Afro-American Culture and History, Arthur Roger Gallery, Alternatives Museum, Max Hutchinson Gallery and Atlanta Arts Festival. Webb is also an arts educator with a BFA and an MFA in sculpture from Louisiana State University.

WHERE: the Church at the Hotel Peter & Paul, New Orleans

WHEN: June 8, 2019, 6–9 p.m.

 

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