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People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
Current Issue

Fall 2026

People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
#317
Fall 2026

Our Fall 2026 edition features new cultural and civic landmarks in Belgium, Toronto and Los Angeles. Plus, we explore the greening of Paris and the social ethos behind the game-changing residential work of Winnipeg firm 5468796.

Please note that this has expired and is for reference only. See our active listings for more events.

Making the Inclusive Museum is a program that intends to enrich the ongoing conversation about museums and their attempt to consider the spatial consequences of accessibility beyond code compliance by inviting members of JSA/MIXdesign to share the MIXmuseum Study.

Consisting of five years of research derived from collaborations with the Queens Museum, the Brooklyn Museum, Cooper Hewitt, Smithsonian Design Museum, the Whitney Museum of American Art, Yale University Art Gallery, and the San Diego Museum of Art, the aim of this study was to understand the common and conflicting inclusive design challenges they face. Panelists from some of these institutions will discuss the outcome of this study, a toolkit of design recommendations, prototypes, and guidelines for improving galleries as well as non-gallery spaces (entry sequences, reception, restrooms, and multi-purpose event spaces).

The program will begin with a presentation from JSA/MIXdesign principal Joel Sanders that situates these contemporary challenges in a historical context. Following Sanders’ presentation, JSA/MIXdesign associate director Seb Choe will share key findings from the MIXmuseum Study generated through an engagement process that used surveys, interviews, and workshops to gather feedback from participating museum stakeholders and visitors. The program will close with a panel discussion and Q&A moderated by Ignacio G. Galán with representatives from four museums who participated in the study.

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