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A group of people walk and gather in a grassy urban park with stone paths, featured on the cover of AZURE magazine promoting the AZ Awards 2026.
Current Issue

Summer 2026

A group of people walk and gather in a grassy urban park with stone paths, featured on the cover of AZURE magazine promoting the AZ Awards 2026.
#316
Summer 2026

The June/July/August 2026 edition of AZURE is dedicated to our 16th annual AZ Awards — and also features the best of Milan, the New Museum’s expansion, the latest in building envelope systems and more!

The AZ Awards issue packs much more than our winners and finalists — though they certainly take pride of place. (And you can read all about them on our dedicated AZ Awards site.)

Atop a former newspaper building in Toronto’s east end, a glazed addition houses Coca-Cola‘s Canadian flagship, a space bringing together 400 employees. While branded wall treatments establish the visual code that unites the company’s offices from Belgrade to Atlanta, Figure 3 has refined those finishes and furnishings in the Toronto one. Here, a decidedly Canadian aesthetic of warm woods, contrasted against pristine white and black, dialogues with the brand’s ubiquitous red hue.

The palette is worked into every personal and collaborative work zone, as well as in areas for social interaction that Figure 3 carved into the addition. The natural, light-filled three-storey atrium, for instance, is outfitted with grey sofas and red loungers with work tops from Coalesse, and a large screen can be used to conduct presentations for bigger groups.

In the lobby, a carved panel in Douglas Fir engraved with Coca-Cola’s signature semi-cursive logo swings out, transitioning into a slatted divider that separates a seating area from a bank of elevators. Here, three of Hans J. Wegner’s low-slung, wide seat loungers welcome impromptu meetings. Overhead, globular light pendants made from recycled cardboard by Amsterdam’s Graypants emit a warm glow. Opposite this space is an intriguing wall sculpture of bottle caps spelling out the Coca Cola logo, created exclusively for the office by artist Raymond Waters.

While the conference rooms and drop-in cubicles feature stained walnut tables and red and white seating, the kitchen area is bright and energetic. Above the custom-milled island by Ell-Rod Holdings hangs a pair of pendant lights by Spain’s Marset. The fiery red backsplash is specified from Toronto’s Deco Tile and contrasts dramatically with the white Caesarstone countertop.

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