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People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
Current Issue

Fall 2026

People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
#317
Fall 2026

Our Fall 2026 edition features new cultural and civic landmarks in Belgium, Toronto and Los Angeles. Plus, we explore the greening of Paris and the social ethos behind the game-changing residential work of Winnipeg firm 5468796.

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Boulder, 2025. Photo by Izzy Leung. Courtesy of Friedman Benda and Adam Pendleton.

From November 7 to December 19, Friedman Benda presents “Adam Pendleton: Who Owns Geometry Anyway?”, marking the gallery’s first collaboration with the artist and Pendleton’s inaugural exploration of furniture typologies. Pendleton’s works, stemming from the seeds of simple geometric figures, explore themes of the historical avant-garde that influenced modern and contemporary aesthetics.

In “Who Owns Geometry Anyway?”, Pendleton expands on his existing conceptual practice to create functional forms, including dining tables, coffee and side tables, and chairs, incorporating wood, onyx, and marble. Pendleton’s pieces engage directly with the gallery’s walls, creating an architectonic environment that is at once both provocative and grounded in place.

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