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People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
Current Issue

Fall 2026

People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
#317
Fall 2026

Our Fall 2026 edition features new cultural and civic landmarks in Belgium, Toronto and Los Angeles. Plus, we explore the greening of Paris and the social ethos behind the game-changing residential work of Winnipeg firm 5468796.

A person in a suit walks through a quiet Italian plaza with laundry hanging between buildings.

“How can a city transform without destroying what exists? How can acknowledging time and history positively influence neighbourhood planning? How do citizens participate in this process?” These questions and more, ever timely, inform this exhibition at the Canadian Centre for Architecture, which looks at the works of Álvaro Siza through the lens of his urban projects and “experiential way of understanding a place.”

An elderly person in a suit reviews an open book featuring architectural sketches and Italian text.
Image: Renato Cruz Santos

The Portuguese icon donated his archive to the CCA, and the drawings, photo collages, models and his sketchbooks within form the basis of this exploration, which is rounded out by photographs by Gabriele Basilico, Nuno Cera, Giovanni Chiaramonte, Alessandra Chemollo and Balthazar Korab. A book that coalesces a series of conversations the CCA had with Siza in Porto, along with other notes and documents, accompanies the exhibition.

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