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276
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Nov/Dec 2019

#276
Nov/Dec 2019

AZURE’s November/December edition explores some of the category’s most innovative spaces, from a new model of urban retreat by Ace Hotel in New York City to a cutting-edge concept store in Lisbon.

Onsite Gallery at OCAD University is proud to present ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras, featuring contemporary art by Indigenous artists from around the circumpolar world. Together, their works politically and poetically express current Arctic concerns towards land, language, sovereignty and resurgence. The exhibition runs from September 18 to December 7, 2019, beginning with a free public reception on September 18 from 6 to 9 p.m.

Among All These Tundras, a title taken from the poem ‘My Home Is in My Heart’ by famed Sámi writer Nils-Aslak Valkeapää, is curated by Heather Igloliorte, University Research Chair in Indigenous Circumpolar Arts at Concordia University, Amy Dickson, emerging curator and doctoral student in the Art History program at Concordia University and Charissa von Harringa, a PhD Researcher in Art History at Concordia University.

As described by the curators, “artists from throughout the circumpolar north share kinship with each other and their ancestors, love for their homelands, and respect for the land and its inhabitants. Yet they also share histories of colonialism and experience its ongoing legacies and are united in their desire to protect northern ecologies, languages, peoples and knowledge from the nefarious effects of climate change, encroaching industry and competition.”

“We are delighted to present this important exhibition of Indigenous artists at Onsite Gallery,” said Francisco Alvarez, Executive & Artistic Director, OCAD U Galleries. “As a university that recognizes the importance of providing a learning environment that values Indigenous cultural knowledge and fosters inclusivity and diversity, Onsite Gallery is excited to feature the works of 12 circumpolar artists.” 

Featuring sculpture, drawing, photography, fashion and video by local, national and international artists, the curators state that, “the works invite viewers to contemplate relationships between textual and embodied Indigenous knowledges, innovation and sustainability, humour and resilience, and our collective responsibility to northern life and land.” The exhibition includes works by: ᐊᓯᓐᓇᔭᖅ (asinnajaq); Inukjuak, Nunavik and Montreal, Quebec ᓛᑯᓗᒃ ᐅᐃᓕᐊᒻᓴᓐ ᐸᑦᑑᕆ (Laakkuluk Williamson Bathory); Iqaluit, Nunavut
ᑲᕈᓚ ᑯᕋᕼᐊᓐ (Carola Grahn); Malmö, Sweden and Kittelfjäll, Sápmi ᒫᔾᔭ ᕼᐋᓕᓐᑐ ᐅᓇᓗ ᓵᒥ ᕕᓐᓚᓐᒥᐅᑕᖅ (Marja Helander); Utsjok and Helsinki, Finland ᖃᑉᓗᓯᐊᖅ (Kablusiak); ᓵᓐᔭ ᑲᓕᕼᐅ-ᑰᒻᔅ (Sonya Kelliher-Combs); Nome, Alaska ᔪᐊᖅ ᓇᓐᑰ (Joar Nango); Alta and Tromsø, Norway
ᑕᕐᕋᓕᒃ ᐹᑐᔨ (Taqralik Partridge); Kuujjuaq, Nunavik ᐱᐅᓕ ᐸᑐ (Barry Pottle); Rigolet, Nunatsiavut and Ottawa, Ontario ᐃᓅᑎᖅ ᓯᑐᐊᑦᔅ (Inuuteq Storch); Sisimiut, Greenland and Copenhagen, Denmark ᑲᔨᓐ ᐸᓐ ᕼᐅᕕᓕᓐ (Couzyn van Heuvelen); Iqaluit, Nunavut and Toronto, Ontario ᐊᓕᓴᓐ ᐊᑰᑦᓲᒃ ᒍᐊᑕᓐ (Allison Akootchook Warden); Kaktovik and Fairbanks, Alaska

ᐊᕙᑖᓂᑦ ᑕᒪᐃᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ, ᐊᑎᖓ ᐱᔭᐅᓯᒪᔪᖅ ᑕᐃᒎᓯᕐᒥᑦ “ᐊᖕᖏᕋᕋ ᐆᒻᒪᑎᓐᓃᑦᑐᖅ” ᑎᑎᕋᖅᓯᒪᔭᖓ ᓵᒥᒥᐅᑕᖅ ᓂᐅᔅ-ᐊᔅᓚᒃ ᕚᑭᐊᐹ, ᓴᕿᔮᖅᑎᑕᐅᔪᖅ ᓄᓇᖅᑲᖅᑳᖅᓯᒪᔪᑦ ᓴᓇᖕᖑᐊᖅᑎᖏᓐᓂᑦ ᓇᑭᑐᐃᓐᓇᖅ ᑲᔾᔨᐊᓂ ᓄᓇᕐᔪᐊᑉ ᐅᑭᐅᖅᑕᖅᑐᐊᓂ ᐅᑯᐊ ᓴᓇᔭᐅᔪᑦ ᐅᖃᐅᓯᑦ ᐊᒻᒪᓗ ᓂᕈᐊᖅᑕᐅᓯᒪᔪᓄᑦ ᐃᓄᖕᓄᑦ ᐅᖃᖅᓯᒪᔭᐅᔪᑦ ᒫᓐᓇ ᐅᑭᐅᖅᑕᖅᑐᖅ ᐃᓱᒫᓘᑎᒋᓪᓗᒍ ᑐᑭᓯᓇᖅᓯᑎᑕᐅᕙᓪᓕᐊᑎᓪᓗᒋᑦ ᓄᓇ, ᐅᖃᐅᓯᖅ, ᓄᓇᖃᖅᑐᑦ ᐊᒻᒪᓗ ᐅᒃᐱᕐᓂᖅᑖᑲᓐᓂᕐᓂᖅ. ᓴᓇᖑᐊᖅᑎᑦ ᓄᓇᖅᑲᖅᑳᖅᓯᒪᔪᑦ ᓄᓇᖏᓐᓂᑦ ᑕᒫᖓᑦ ᓄᓇᕐᔪᐊᑉ ᑲᔾᔨᐊᓂᑦ ᐅᑭᐅᖅᑕᖅᑐᖅ ᑐᓴᕐᑎᑦᑎᔪᑦ ᐃᒻᒪᑲᓪᓚᓂᑦ ᖃᓪᓗᓈᖑᖅᑎᑕᐅᓯᒪᒐᒥᒃ ᐊᒻᒪᓗ ᐊᑐᖅᓯᒪᔭᑎᒃ ᐳᐃᒍᓇᓐᖏᑦᑐᑦ ᐃᓅᓯᕆᓚᐅᖅᑕᒥᖕᓂᑦ, ᐊᒻᒪᓗ ᐊᑕᐅᓯᐅᓕᕐᓂᖅ ᓴᐳᒻᒥᓂᐊᕐᓗᒋᑦ ᐅᑭᐅᖅᑕᖅᑐᖅ ᐆᒪᔪᓕᒫᖏᑦ ᐊᕙᑎᓕᒫᖏᓪᓗ, ᐅᖃᐅᓯᖏᑦ, ᐃᓄᖏᑦ ᐊᒻᒪᓗ ᖃᐅᔨᒪᓂᖏᑦ ᑕᒫᖓᑦ ᐱᐅᓐᖏᑦᑐᐋᓗᖕᓂᑦ ᐊᒃᑐᖅᑕᐅᓂᖓᓄᑦ ᓯᓚ ᐅᖂᓯᓂᖓᓄ ᐊᓯᑦᔨᕐᓂᖓᓄᑦ, ᓄᓇᕐᔪᐊᖅ ᓄᓇᒥᑦ ᐲᔭᐃᔪᒪᔪᑦ, ᐱᕈᖅᑎᑦᑎᕙᓪᓕᐊᔪᑦ ᑲᓐᐸᓂᕐᔪᐊᓂᒃ, ᐊᒻᒪᓗ ᓄᓇᖃᑎᒌᓐᖏᑦᑐᕐᔪᐊᑦ ᓵᓚᒌᖃᑦᑕᐅᑎᒐᓱᐊᖅᑐᑦ. ᑲᑐᔾᔨᓗᑕ, ᐅᑯᐊ ᓴᓇᔭᐅᔪᑦ ᑕᑯᑎᑦᑎᕗᒍᑦ ᐃᓚᒌᒍᓯᖏᓐᓂᒃ ᐊᕙᑖᓂᑦ ᐊᒃᑐᒐᒃᓴᐅᔪᑦ ᐊᒻᒪᓗ ᑭᓱᓕᒫᑦᓯᐊᖏᑦ ᓄᓇᖅᑲᖅᑳᖅᓯᒪᔪᑦ ᖃᐅᔨᒪᓂᖏᑦ ᐊᑐᖅᑕᐅᓗᑎᒃ, ᓄᑖᓂᒃ ᐱᓕᕆᔾᔪᑎᖃᕐᓕᕐᓂᖅ ᐊᒻᒪᓗ ᓄᖑᑉᐸᓪᓕᐊᓂᖏᑦᑐᓂᒃ, ᑎᔅᓯᓇᖅᑐᑦ ᐊᒻᒪᓗ ᐊᑐᕐᓗᒍ ᐊᓐᓇᒍᓐᓇᕐᓂᖅ, ᐊᒻᒪᓗ ᑕᒪᑦᑕ ᑲᑐᑎᓗᑎᒍᑦ ᐱᔭᒃᓴᕆᔭᕗᑦ ᐅᑭᐅᖅᑕᖅᑐᑉ ᐃᓅᓯᖓ ᐊᒻᒪᓗ ᓄᓇᖓ.

Among All These Tundras, a title taken from the poem ‘My Home Is in My Heart’ by famed Sámi writer Nils-Aslak Valkeapää, features contemporary art by Indigenous artists from around the circumpolar world. Together, their works politically and poetically express current Arctic concerns towards land, language, sovereignty and resurgence. Artists from throughout the circumpolar north share kinship with each other and their ancestors, love for their homelands, and respect for the land and its inhabitants. Yet they also share histories of colonialism and experience its ongoing legacies and are united in their desire to protect northern ecologies, languages, peoples and knowledge from the nefarious effects of climate change, encroaching industry and competition. These resistance efforts do not merely express, they give shape to a collective ecology of care, a “decolonial love” (in the words of Leanne Simpson and others) that is both generous and generative. These works invite viewers to contemplate relationships between textual and embodied Indigenous knowledges, innovation and sustainability, humour and resilience, and our collective responsibility to northern life and land.

AZURE is an independent magazine working to bring you the best in design, architecture and interiors. We rely on advertising revenue to support the creative content on our site. Please consider whitelisting our site in your settings, or pausing your adblocker while stopping by.
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