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People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
Current Issue

Fall 2026

People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
#317
Fall 2026

Our Fall 2026 edition features new cultural and civic landmarks in Belgium, Toronto and Los Angeles. Plus, we explore the greening of Paris and the social ethos behind the game-changing residential work of Winnipeg firm 5468796.

A light wood dining table with two matching chairs, a linear five-bulb pendant light above, and a tall floor lamp to the right.

Exhibited as part of Colony Presents at New York’s Colony, Toronto’s Mary Ratcliffe Studio shows off four new works, including its first-ever lighting collection and upholstered piece. The theme of the collection is “Hold Me.” Ratcliffe explains, “Most furniture hides the parts that do the holding: the brace, the joint, the collar that secures a shade. Hold Me brings them forward and finishes them as the focal point of each design.” This is also a deeply personal series. “The collection started from watching my boys grow and realizing how much they still needed to be held, albeit in a less literal sense. The parts that support and hold up each piece are brought forward and celebrated as integral to the design instead of being hidden away.” 

A rectangular wooden dining table with two U-shaped legs connected by a horizontal silver metal bar.

Mary Ratcliffe Studio worked with Harnisch Lamps on the lighting: the Strata Hanging Light in oiled walnut with polished aluminum and glass globes, and the Moore Floor Lamp in wire-brushed ash in an “iron oxide” finish with polished aluminum hardware, glass globes and a linen shade. Meanwhile, the oak Jasper Dining Table, with its cylindrical cross-brace in polished aluminum, is paired with the Cinch Dining Chair; for this first-of-its-kind piece for the studio, Mary Ratcliffe collaborated with Toronto-based artist Kelli Kikcio, who created the hand-embroidered chain motif that runs across the chair’s mohair seat and back, a symbol of strength in connectivity. 

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