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People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
Current Issue

Fall 2026

People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
#317
Fall 2026

Our Fall 2026 edition features new cultural and civic landmarks in Belgium, Toronto and Los Angeles. Plus, we explore the greening of Paris and the social ethos behind the game-changing residential work of Winnipeg firm 5468796.

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Originally slated to open in October 2020 and conceived long before last year’s global reckoning, this timely exhibition — organized by the Museum of Modern Art alongside Columbia GSAPP professor Mabel O. Wilson — investigates, as the curators describe, “the intersections of architecture, Blackness and anti–Black racism in the American context.”

The exhibition and accompanying publication will examine contemporary architecture in the context of how systemic racism has fostered violent histories of discrimination and injustice in the United States.

To that end, Wilson and MoMa’s Sean Anderson looked to a number of leading designers across the country — Walter Hood, V. Mitch McEwen, Amanda Williams, Germane Barnes, Yolande Daniels and more — whose work engages with everything from public policy and municipal planning to the profession at large.

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