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Experimental artist and architect Vito Acconci died on April 28, 2017, at the age of 77. We’re remembering Acconci with this, a story from our October 2007 issue about his unexpected foray into architecture.

Just in time for Earth Day, nature-inspired installations bloom at the Gladstone Hotel’s Grow Op exhibition.

NYC creatives Kien Quan and Jillian Young have designed a sticker to show that many of America’s most beloved products are not American-made.

Despite snowstorms, sun, slush, and wildly fluctuating temperatures, Winnipeg’s Warming Huts had its best year yet, with installations by Anish Kapoor, Atelier ARI and Houdini Design Architects.

For the 10th anniversary of the National Art Center of Tokyo, architect and aeritst Emmanuelle Moureaux installed Forest of Numbers – a huge rainbow-hued artwork that celebrated the future, not the past.

Now on view in the city’s east end, Winter Stations 2017 brings a series of art installations to the chilly shoreline.

‘Rebel, Jester, Mystic, Poet: Contemporary Persians,’ a collection of post-revolution works by Iranian artists, confronts issues of gender, religion, politics, and the West’s characterization of Iranians.

Designers and artists, including Erwin Wurm, Faye Toogood, Issey Miyake, and Vivienne Westwood, participate in Italian designer Alessandro Guerriero’s Workwear exhibition – a series of fantastical garments for fantastical occupations.

Overlooking a steel wall separating Tijuana and San Diego, Japanese art collective Chim Pom has constructed a timely installation – a treehouse they call “U.S.A Visitor Center.”

When designers translate music or fragrance into physical forms, the results are magical.