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People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
Current Issue

Fall 2026

People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
#317
Fall 2026

Our Fall 2026 edition features new cultural and civic landmarks in Belgium, Toronto and Los Angeles. Plus, we explore the greening of Paris and the social ethos behind the game-changing residential work of Winnipeg firm 5468796.

Aesop, the Australian beauty brand, has opened a temporary retail space that will run alongside the art exhibitions in the Invisible Dog Art Center, an interdisciplinary art space in Brooklyn. The space was conceived by Mexican architect Frida Escobedo, who has also recently renovated La Tallera (the studio-home of artist David Alfaro Siqueiros) in Cuernavaca, Mexico. Here, she has created a simple interior, whose main elements include a freestanding vintage sink and teal-lacquered shelves adorned with Aesop’s products.

But Escobedo’s pièce de résistance is a timber-framed feature wall with glass-encased layers of different strata of sand; evoking at once abstract paintbrush strokes and an almost-too-perfect marble slab, the sand will shift over the next few months until the exhibition’s closing in July. It represents how early Modernism turned away from aesthetic ornamentation, yet revelled in the natural variety – in veined stones and marbles, for instance.

The wall also reflects the interior’s temporary nature. “The use of natural ornament springs from a fascination of those forms that speak about their own genesis,” says Escobedo of the piece. “Installed in springtime in New York, it also recalls melting snow, Les Eaux de Mars” – or the Waters of March, in reference to the legendary song – “a change of season, optimism and expectation.”

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