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People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
Current Issue

Fall 2026

People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
#317
Fall 2026

Our Fall 2026 edition features new cultural and civic landmarks in Belgium, Toronto and Los Angeles. Plus, we explore the greening of Paris and the social ethos behind the game-changing residential work of Winnipeg firm 5468796.

Matthew Hilton outdoes pretty much every designer who’s recently redesigned the Windsor chair, presenting no fewer than five riffs on the famous English archetype. His pieces, presented by De La Espada, are made in ash and walnut.

Another archetypical form – the wishbone chair – gets a slip of a seat in this model designed by Giopato & Coombes for Miniforms. Valerie is made entirely out of natural wood, with a seat that can be matte lacquered in different colours.

The warmth of wood, and its ability to provide a rustic accent on a dainty furnishing, animates Gordon Guillaumier‘s Ponza chair for Frag. Its rounded legs taper toward the base and complement the padded seat upholstered in white leather.

Part of the group show “New Wave, the new French domestic landscape,” this chair, whose name – Remember that thou shalt die – is design firm Pool‘s rock ‘n’ roll version of the ubiquitous plastic lawn chair.

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