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Junya Ishigama on the cover of the October 2019 issue of Azure Magazine. The Innovators Issue.
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October 2019

#275
October 2019

The Innovators Issue: Junya Ishigama's genre-busting architecture, Sidewalk Labs and the future of the city, and more!

Gates-Suter Architects uses a soup ladle and white Corian surfacing to create acoustic control in the bathroom of a North Vancouver home.

Engineered solid surfacing is a natural choice for a bathroom. Its seamless, non-porous nature makes it ideal for forming countertops and even shower rooms. But rarely is it considered for its acoustic potential. A recent project by Vancouver’s Gates-Suter Architects proves it should be.

The architects were tasked with replacing a sea of tiny tiles and germ-catching grout lines with new, easy-to-clean surfaces in the master bath of a North Vancouver home. But the renovation equally prioritized another mandate: to reshape the acoustics. The room shares a wall with the bath and bedroom used by the clients’ teenage daughter, and any sound on either side transferred to the other.

“You could hear everything between the two spaces,” says partner Joanne Gates. ”Especially when the daughter had friends over, conversations could be clearly heard through the wall.”

For visual cohesion, the circular motif was carried over to the accessories, sinks and Bocci electrical outlets alongside the mirrored cabinets.

After visiting a slew of tile showrooms in search of a material that would both minimize joints and dampen sound, Gates came up empty-handed and started to explore the idea of shaping DuPont Corian. “Unlike tile or other solid-surface options, Corian actually does have some give to it, and in talking to [local fabricator] Paragon Surfacing, we started looking at shaping the surface to really diffuse sound.”

A round bump, moulded into the wall’s surface, was chosen for its ability to push sound in all directions. “We were looking for visual calmness, so it was important that the ‘bumps’ operate as a textural field,” explains Gates. After much deliberation on how to shape the staggered pattern, Paragon suggested a unique solution: metal soup ladles.

“They were exactly the right size, roughly three inches’ in diameter. Paragon cut the handles off them and attached them to a plywood form.” Each of the 16 bespoke panels used on the walls and ceiling is identical, made with that same mould, the repetitiveness contributing to an overall tranquility.

Paired with a mass vinyl barrier and a rock wool acoustic insulation back layer, the panels are not only acoustically effective, but offer an unexpected and changeable intrigue in what could have been a very stark white space: The existing large, wood-framed window affords a view to the house’s forested site, and the reflective nature of the white Corian, even as it pushes sound out, draws the greenery into the room.

Custom cabinets are fitted with hardware by Cantu. The faucets and freestanding tub are from Blu Bathworks.

While the tub and faucets from the original space remain, new round Corian sinks are thermoformed into the ½-inch-thick countertop, evoking a “negative bump.” Round electrical outlets from Bocci further complement the textural pattern, and the toilet room is hidden behind one of the textured Corian panels, helping to maintain the sleek aesthetic.

This story was taken from the March/April 2018 issue of Azure. Buy a copy of the issue here, or subscribe here.

AZURE is an independent magazine working to bring you the best in design, architecture and interiors. We rely on advertising revenue to support the creative content on our site. Please consider whitelisting our site in your settings, or pausing your adblocker while stopping by.