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Junya Ishigama on the cover of the October 2019 issue of Azure Magazine. The Innovators Issue.
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October 2019

#275
October 2019

The Innovators Issue: Junya Ishigama's genre-busting architecture, Sidewalk Labs and the future of the city, and more!

Architects come from myriad backgrounds. Tadao Ando, for instance, began his career as a boxer. Peter Zumthor was attracted to design through cabinet-making. Michel Rojkind spent his formative years in Mexican pop-rock band Aleks Syntek y La Gente Normal. And Kevin Lim, who heads up Hong Kong interdisciplinary firm openUU with partner Caroline Chou, spent his past life as a trained chef.

That experience has largely laid dormant as openUU’s profile has risen. Since its founding in 2011, the firm has landed a number of high-profile commercial projects: it masterminded offices for fintech giant WeLab, designed Art Basel’s Hong Kong outpost and recently launched a flagship for Tokyo fashion label Ril Creed. When the time came for an owned-and-operated passion project, though, the duo returned to Lim’s first calling: food.

The result is Mean Noodles, an eatery that attracts with both its menu and design. Deliberately tucked away in an alley in the Shueng Wan district – like the best street-food stalls, the firm wanted the restaurant to be discovered organically by passersby – the restaurant serves up contemporary takes on traditional Southeast Asian cuisine. The name Mean Noodles, says the firm, “is a play on having a mean bowl of noodles, while ‘mean’ also sounds like ‘noodles’ in Chinese phonetically.”

The firm developed the menu with a surprising collaborator: Ming Tsai, whose Massachussetts restaurants made him an American celebrity chef. Tsai’s Blue Ginger, a fast-casual staple in the Boston region that operated for two decades, was one of Chou’s favourite restaurants while she studied architecture at Wellesley College. Lim, on the other hand, received culinary training from Boston’s Le Cordon Bleu.

After climbing a staircase from street level, the first thing visitors notice in the 715-square-foot space is that big MEAN sign, made of letter lights mounted to custom cabinetry. Diners are invited to sit at a bar that wraps around the open kitchen, which offers front-row views of dishes being prepared, or linger at the restaurant-length standing table (below). From there, the standout details – namely, the inventive tiling used throughout – emerge.

The restaurant’s ceramics are an exercise in branding, to be certain – a glimpse at Mean Noodles’ Instagram displays tableware bearing the restaurant’s insignia – but the tiled walls are also a tribute to Batik, the textile art of Malaysia that typically involves brush-painting colours and patterns on fabric. In fact, the restaurant’s ceramic walls look almost quilt like. Batik-style patterns even extend to the restaurant’s exterior, which includes steps defined by floral tiles.

The eye-grabbing feature wall contrasts with materials used throughout: the wrap-around bar is made with marble; the polished concrete floors, vaulted ceilings and exposed ductwork hint at an industrial past; the mustard-coloured chairs add a pop of colour; and the subway tiles with teal grout, below, provide additional texture.

The attention to Mean Noodles’ design is also mirrored in its dishes, which aim to elevate hawker food, typically found in street-side stands or hole-in-the-wall joints. We’ll just let the photos – and our rumbling bellies – do the talking.

 

AZURE is an independent magazine working to bring you the best in design, architecture and interiors. We rely on advertising revenue to support the creative content on our site. Please consider whitelisting our site in your settings, or pausing your adblocker while stopping by.