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Junya Ishigama on the cover of the October 2019 issue of Azure Magazine. The Innovators Issue.
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October 2019

#275
October 2019

The Innovators Issue: Junya Ishigama's genre-busting architecture, Sidewalk Labs and the future of the city, and more!

Mason Studio makes dreamy interiors and installations for an international clientele. It is part of Azure’s chosen five: Toronto firms that are climbing to new heights. (See our stories on Benjamin Dillenburger, UUfie and MSDS Studio.)

A neon sign at Ashley Rumsey and Stanley Sun’s office in the west end of Toronto spells out a line from Canada’s national anthem: “Our home and native land.” The light is a souvenir from one of their earliest projects, a highly praised exhibition that premiered at the Interior Design Show in 2012. There, the glowing lyric served as the backdrop to an all-in-one cooking, dining and bathroom concept built inside a shipping container, incorporating both a live tree and a channel of running water that flowed down a four-metre oak dining table. The installation unabashedly celebrated natural materials and designs by Canadians. It also put Mason Studio on the map as one of the country’s most talented up-and-coming firms.

The duo had graduated from Ryerson University’s school of interior design just four years prior. Friendly competitors throughout their program, they went in separate directions after school, with Sun taking a job at London’s Jump Studios and Rumsey at Yabu Pushelberg in Toronto. But a shared interest in taking on edgier, more community-minded projects led them to start their own firm in 2011.

In the ensuing years, Rumsey, 31, and Sun, 32, released a string of evocative pop-up environments. They filled a cavernous warehouse space with billowing clouds made of tissue paper and programmed to glow via motion detectors. Another tranquil project filled a disused train platform with radiant orbs made from 20,000 paper cups. Torontonians ate up the magic of their low-cost inventiveness and quiet serenity. “It’s easy to get people excited,” notes Sun. “It’s difficult to get them to be introspective.”

They are committed to producing at least two installations each year, because they enjoy the challenge and experimentation, but these tem­por­ary projects are also proving to be good for business. For a new Andaz Hotel – an Ottawa outpost of Hyatt’s boutique arm, expected to open next year – their interiors evoke the same playful sense of patriotism seen in the shipping container project. Yet there will be nary a beaver or Maple Leaf in sight. Instead, suites will feature walls customized using felt-based wall­coverings developed with Creative Matters, and each of the 13 guest floors will include subtle references to the landscape of a different province or territory. The rooms themselves will be furnished with Canadian objects, including lights by MSDS Studio.

Another recent project, the Village Juicery on College Street in Toronto, is the firm’s most Zenlike, neighbourhood-centric space yet. To capture the juicery’s localism and clean-living ethos, Mason used such materials as Baltic birch and terracotta-hued quarry tile, creating a calm and understated shop environment. Custom stools at the sun-soaked counter offer a spot for clientele to learn about each juice’s all-local production process. The overall effect is pure Mason, with a sense of place rooted in context, subtle use of materials and colours and a quintessentially Canadian mood.

AZURE is an independent magazine working to bring you the best in design, architecture and interiors. We rely on advertising revenue to support the creative content on our site. Please consider whitelisting our site in your settings, or pausing your adblocker while stopping by.