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A group of people walk and gather in a grassy urban park with stone paths, featured on the cover of AZURE magazine promoting the AZ Awards 2026.
Current Issue

Summer 2026

A group of people walk and gather in a grassy urban park with stone paths, featured on the cover of AZURE magazine promoting the AZ Awards 2026.
#316
Summer 2026

The June/July/August 2026 edition of AZURE is dedicated to our 16th annual AZ Awards — and also features the best of Milan, the New Museum’s expansion, the latest in building envelope systems and more!

The AZ Awards issue packs much more than our winners and finalists — though they certainly take pride of place. (And you can read all about them on our dedicated AZ Awards site.)

It was like entering the nave of a tiny, minimalist, Scandinavian church. Dozens of designers, journalists, and show-goers would squeeze into the Zero Waste Bistro in a state of awed enchantment in intervals throughout the weekend.

A series of arches made of ReWall – Tetra Paks crushed to create a marbled blue-and-white material – generated a narrow, linear nook inside the iconic Terminal Stores venue of WantedDesign Manhattan. Stretching the length of the space, a table made of Durat, a speckled solid surface that incorporates recycled plastic and is itself recyclable, complemented the walls. It was also the perfect canvas and backdrop for tableware by iitala and furniture by Artek, including pendant lights and stools by Alvar Aalto and the timeless Teema porcelain collection by Kaj Franck – all of these items supplied by Finnish Design Shop.

The Zero Waste Bistro was largely a Finnish production, organized by the Finnish Cultural Institute in New York and featuring meals curated, made and served by Helsinki’s Restaurant Nolla – where the zero-waste ethos encompasses everything from locally sourced ingredients to a zero-tolerance policy towards non-sustainable packaging. Its chefs, Luka Balac, Carlos Henriquez and Albert Franch Sunyer, have even coined a (somewhat wordy) philosophy: “refusing, reducing, reusing and (only as the last resource) recycling.”

The setting was co-curated by Linda Bergroth and Harri Koskinen, and designed by Bergroth. She also created the vases that many of us in attendance salivated over almost as much as the menu of black sea bass, oyster mushrooms and other locally sourced dishes. While only in prototype stage, the vessels are made of the same Durat surfacing as the table, with each side in a different colour for a patchwork effect.

Among the installation’s other sustainable measures: Kotkamills provided the take-away coffee cups, made with their own eco-alternative ISLA Duo barrier board; and Sulapac supplied its jewel box-like food containers, made of wood from Finland’s sustainably managed forests.

All of these details, big and small, added up to one of the most special experiences of NYCxDesign. The Zero Waste Bistro elegantly demonstrated the integral role of design in devising a sustainable environment, where food, furniture, product and interior curation are all equally considered. Hopefully, the installation will come to represent human-centred design for a more conscientious generation of creators. That would be heavenly indeed.

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