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People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
Current Issue

Fall 2026

People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
#317
Fall 2026

Our Fall 2026 edition features new cultural and civic landmarks in Belgium, Toronto and Los Angeles. Plus, we explore the greening of Paris and the social ethos behind the game-changing residential work of Winnipeg firm 5468796.

Gina Armchair by Maurizio Manzoni for Cierre 1972

Italian architect and designer Maurizio Manzoni modelled his Gina armchair after the organic structure of a tulip in bloom: Two petal-like cushions rise from the seat, forming an embracing and comfortable backrest. The seat itself is plump and forgiving, providing a stable and soft perch. 

Gina Armchair by Maurizio Manzoni for Cierre 1972
Gina Armchair by Maurizio Manzoni for Cierre 1972
Gina Armchair by Maurizio Manzoni for Cierre 1972

The expanded polyurethane foam cushion of the armchair can be covered in a range of fabrics in different colourways to introduce a vibrant or subdued hue; a variety of patterns and motifs are also offered. 

Gina Armchair by Maurizio Manzoni for Cierre 1972

Holding it all together is the rigid yet slender tubular metal frame, which can be powder-coated in 10 RAL colourways with a matte finish. 

Chair on platform and suspended from ceiling

Elegant and charismatic, the shapely and inviting Gina armchair enlivens any interior setting. 

Gina Armchair by Maurizio Manzoni for Cierre 1972

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