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People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
Current Issue

Fall 2026

People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
#317
Fall 2026

Our Fall 2026 edition features new cultural and civic landmarks in Belgium, Toronto and Los Angeles. Plus, we explore the greening of Paris and the social ethos behind the game-changing residential work of Winnipeg firm 5468796.

In Shenzhen, the Bao’an International Airport’s new Terminal 3 – designed by husband-wife team Massimiliano and Doriana Fuksas – is capturing our imagination with its sinuous form. The 1.5-kilometre concourse is covered in a double skin, which writer Rodolphe el-Khoury characterizes as “a living epidermis, negotiating dynamic exchanges between both interior and exterior environments.”

Contributor Effie Bouras also takes us on a tour of projects around the world – including Rotterdam’s Floating Pavilion and New York’s Hunter’s Point South Waterfront Park – that were designed with the purpose of mitigating the effects of climate change, especially super storms. And, to gauge what the next crop of starchitects are up to, we scope out four firms from Madrid to Shanghai that are designing innovative city-building projects.

Also in this issue: a profile on Benjamin Hubert, the London industrial designer on a mission to make the lightest furnishings possible; a look at Herzog & de Meuron’s lushly landscaped Pérez Art Museum Miami (in the news this weekend due to a visitor’s act of vandalism); a snapshot of what eight of the world’s top architects are building in the foreseeable future; and a selection of vibrant soft seating options for home and contract settings.

Azure’s March/April issue is now available on eMags, and on newsstands today in Canada and March 3 in the U.S.

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