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People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
Current Issue

Fall 2026

People walk in a modern museum atrium with large murals on the walls, glass railings, and a bright skylight. The cover text reads “AZURE” and “NEW LAND MARKS.”.
#317
Fall 2026

Our Fall 2026 edition features new cultural and civic landmarks in Belgium, Toronto and Los Angeles. Plus, we explore the greening of Paris and the social ethos behind the game-changing residential work of Winnipeg firm 5468796.

At first glance, the Kin chair, designed by Radice Orlandini Design Studio for Baleria Italia, almost seems unstable. That’s because, under the guidance of new art director Aldo Parisotto, the brand has been making an effort to return to its roots in playful, ironic design. The Kin Chair, for its part, is inspired by the Japanese Kintsungi, a pottery-fixing technique that fixes cracks with contrasting metallic lacquer, bringing attention to the breaks.

 

That resulted in a seat that revels in its “broken” elements: its stacked cushioning contrasts with structural steel tubing and compact armrests, offering a chair that is both surprising and functional. The chair, with a 48-centimetre-high seat, is easily tucked under a table. 

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